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Vol. 9 No. 1 (2014)
Vol. 9 No. 1 (2014)
Published:
2014-08-12
Presentation
Presentation
Antonio Carlos Santos
1-10
PDF/A (Portuguese)
Popular song: notes on the revocalization of the logos
Leonardo Davino de Oliveira
13-28
PDF/A (Portuguese)
The Tropicalist allegory on the avenue of historicism: Tropicalism and rock in Brazil
Tiago Hermano Breunig, Jair Tadeu da Fonseca
29-45
PDF/A (Portuguese)
Redefining the place of MPB in contemporary Brazilian culture
Sylvia H. Cyntrão
47-55
PDF/A (Portuguese)
“Não posso mais: eu quero é viver na orgia”: female trickery and work rejection in sambas from the 1930s and 40s
Cilene Margarete Pereira
57-69
PDF/A (Portuguese)
Articles
‘Human after all’? Daft punk and the cult of the machine
Marcelo Cizaurre Guirau, Rafael Mantovani
71-85
PDF/A (Portuguese)
Performing animals of Beuys, Sherk, Berwick and Dion
Ana Carolina Cernicchiaro
87-96
PDF/A (Portuguese)
The semantics guerrilla of Honoré Daumier
Marcos Fabris
97-104
PDF/A (Portuguese)
William Blake’s “The Little Girl Lost” and “The Litle Girl Found”: Songs of Innocence or of Experience?
Enéias Farias Tavares, Leandro Cardoso de Oliveira
105-117
PDF/A (Portuguese)
Romantic oedipus from literature to cinema
Fausto Calaça, Célia Maria Domingues da Rocha Reis
119-130
PDF/A (Portuguese)
Technological reproducibility, art and politics
Marcos Soares
131-136
PDF/A (Portuguese)
Avatar como sintoma: a narrativa mitológica de Hollywood e crise
Fernando Simão Vugman
137-144
PDF/A (Portuguese)
Translation
The concept and the tragedy of culture, by Georg Simmel
Antonio Carlos Santos
145-162
PDF/A (Portuguese)
Review
Life in potency: Nietzsche e Agamben from the perspective of Assmann e Bazzanella
Alexandra Filomena Espindola
163-168
PDF/A (Portuguese)
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