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Vol. 7 No. 1 (2012)
Vol. 7 No. 1 (2012)
Published:
2012-08-01
Editorial
Editorial
PDF (Portuguese)
Ensaios
The time of the machine of art production/fruition: the clock as a metaphor in Osman Lins
Dilma Beatriz Rocha Juliano
15-22
PDF (Portuguese)
Avant-garde; baroque; anthropophagy
Juan José Mendoza
23-33
PDF (Portuguese)
Fronteiras da crítica literária brasileira:Oswald de Andrade e João do Rio na cena do novo
Sebastião Marques Cardoso
35-52
PDF (Portuguese)
The writer’s profile. Two generations in Argentina
Elizabeth Hutnik
53-65
PDF (Portuguese)
The ranges of violence in Rosa Montero’s La hija del caníbal
Adriana Virginia Bonatto
67-81
PDF (Portuguese)
Memory and document: Gonzaga Duque’s diary
Alexandra Filomena Espindola
83-95
PDF (Portuguese)
Dream Theories and Nuruddin Farah’s Dream Novel of Inversion
Divanize Carbonieri
97-115
PDF (Portuguese)
João Guimarães Rosa: a philo-semite? The Jewish issue, the letters and the testimony of Israel Klabin
Jacques Fux
117-135
PDF (Portuguese)
Adorno and jazz
Elder Kôei Itikawa Tanaka
137-148
PDF (Portuguese)
“Rivers, Bridges and Overdrives”: transit and the (de)composition of space in Amarelo Manga
Ramayana Lira de Sousa
149-157
PDF (Portuguese)
Crimes and sins: Wood Allen, Hollywood and the independent cinema
Marcos Soares, Ana Paula B. Anjos, Marcos Fabris
159-167
PDF (Portuguese)
The use of melodrama in the cinematographic form of Ken Loach
Cristiane Toledo Maria
169-179
PDF (Portuguese)
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