Edição especial

Articles

• Truth or beauty? Painting, photography, memory, history

  Laura Malosetti Costa

  111-124

  • PDF (Portuguese)

• Different repetition: aspects of art in Brazil of the XXth and XIXth centuries

  Tadeu Chiarelli

  125-162

  • PDF (Portuguese)

• Facing the loss of archive

  Maria Ivone dos Santos

  163-176

  • PDF (Portuguese)

• Archive fever: the archive dynamics in contemporary art

  Silvana Macêdo

  177-192

  • PDF (Portuguese)

• In the field of dislocated similarities and empathic proximities

  Rosângela Miranda Cherem

  193-204

  • PDF (Portuguese)

• How does contemporary photography think memory?

  Ana Emília Jung

  205-214

  • PDF (Portuguese)

• Mobile stills

  Luiz Felipe Soares

  215-226

  • PDF (Portuguese)

• Modernist poetry: gestures of air and of stone

  Susana Scramim

  227-234

  • PDF (Portuguese)

• Joaquim Cardozo and Pancetti, waters without owner

  Manoel Ricardo de Lima

  235-246

  • PDF (Portuguese)

• Belmiro de Almeida and realism: from the gloss to the enchantment of proximity

  Antonio Carlos Santos

  247-254

  • PDF (Portuguese)

• Photography as poetry and poetry as photography: on Arthur Omar and Arturo

  Jorge H. Wolff

  255-262

  • PDF (Portuguese)

• The memory of gestures in the symbolist poetry of Dario Velozzo

  Caio Ricardo Bona Moreira

  263-278

  • PDF (Portuguese)

• Scarecrow or the vertical language

  Cristiano Moreira

  279-284

  • PDF (Portuguese)

• Re-fable history from ruins

  Alexandra Espindola

  285-290

  • PDF (Portuguese)

• Photography and book as places for action: spaces project

  Márcia Regina Pereira de Sousa

  291-300

  • PDF (Portuguese)

• Reminders: notes on memory and photography

  Daniela Martorano Vieira

  301-310

  • PDF (Portuguese)

• An improbable territory for an improbable group: actions around a space

  Juliana Crispe

  311-326

  • PDF (Portuguese)

• Cartography of the middle

  Claudia Zimmer de Cerqueira Cezar

  327-334

  • PDF (Portuguese)