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Vol. 12 No. 2 (2017)
Vol. 12 No. 2 (2017)
Published:
2017-12-19
Full Issue
PDF/A (Portuguese)
Presentation
Presentation
Antonio Carlos Santos, Vanessa L Lehmkuhl Pedro
179-180
PDF/A (Portuguese)
DOSSIER: The War
Genevieve Naylor, uma fotógrafa da boa vizinhança no Brasil (1941-42)
Ana Maria Mauad
181-208
PDF/A
The war according to women: a feminist and postcolonial vision of Angola’s narratives of war
Simone Pereira Schmidt
209-218
PDF/A (Portuguese)
Culinária fantasma: uma viagem por um Iraque doce e amargo
Ella Shohat
219-226
PDF/A
Photograph and War: staging and punctum in the 19th century
Antonio Carlos Santos
227-232
PDF/A (Portuguese)
The presence of the reporter and the 3 thousand journalists who saw the Iraq War in the surrounding of the conflict
Vanessa Lehmkuhl Pedro
233-248
PDF/A (Portuguese)
Entrevista
GUERRA.DOC: José Hamilton Ribeiro conta a experiência de cobrir a Guerra do Vietnã para a revista Realidade em maio de 1968
Vanessa Lehmkuhl Pedro
249-254
PDF (Portuguese)
Articles
To fictionalise history: León Ferrari and the politics of assemblage
Artur de Vargas Giorgi
255-269
PDF/A (Portuguese)
The living and non-living: memory and postcolonialism in O Retorno by Dulce Maria Cardoso
Roberto Monaco, Gregório Foganholi Dantas
271-282
PDF/A (Portuguese)
The Female Condition on the Short Story “Sweat” by Zora Neale Hurston
Jose Vilian Mangueira, Francisco Edson Gonçalves Leite
283-293
PDF/A (Portuguese)
Phantasmagories of the rock from Belém. Phantasmatic identity and intersubjectivity in an Amazonian band
Fabio Fonseca de Castro, Elielton Alves Amador
295-304
PDF/A (Portuguese)
When does an individual artistic style become a way of painting? The case of the naïve artist Chico da Silva
Gerciane Maria da Costa Oliveira
305-313
PDF/A (Portuguese)
“Adam and Eve in Paradise”: the dominating power of the symbol according to a short story by Eça de Queiroz
Levi Fernandes Leonido, Elsa Maria Morgado, João Bartolomeu Rodrigues, Luciana Cabral Pereira
315-331
PDF/A (Portuguese)
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