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Vol. 8 No. 1 (2013)
Vol. 8 No. 1 (2013)
Published:
2013-07-22
Editorial
Editors’ note
7-10
PDF/A (Portuguese)
Articles
Art and bourgeois society in Peter Szondi’s theory of the theatrical text
Pedro Rocha de Oliveira
11-26
PDF/A (Portuguese)
Discourse in life and discourse on the art of acting: contribution of Vygotski and the Bakhtin circle for the analysis of the theater practice.
Andrea Vieira Zanella, Graziele Aline Zonta, Kátia Maheirie
27-38
PDF/A (Portuguese)
Rereading, parody and intertextuality in Braz, Quincas & Cia. (2002) by Antonio Fernando Borges
Flávio Pereira Camargo
39-65
PDF/A (Portuguese)
The joy in ‘Tutameia: third stories’ by Guimarães Rosa
Giselle Bueno
67-83
PDF/A (Portuguese)
The prefaces of the novels and the initial composition method of Machado de Assis
Cilene Margarete Pereira
85-98
PDF/A (Portuguese)
“Let the madness...begin!”: the dialectic between reason and sanity in the cult of personality of singer
Flavio Pereira Senra
99-116
PDF/A (Portuguese)
A diffuse and violent place, not far from here: the first novel by Reni Adriano
Wanderlan da Silva Alves
117-133
PDF/A (Portuguese)
Moving stage: questions for the theatre of Machado de Assis
Rafaela Scardino
135-141
PDF/A (Portuguese)
Painting, photography, and art criticism in post-modernity
Marcos Fabris
143-156
PDF/A (Portuguese)
Utilitarianism in Ariel
Maurício Silva
157-161
PDF/A (Portuguese)
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