Adorno and jazz
DOI:
https://doi.org/10.19177/rcc.v7e12012137-148Keywords:
Theodor Adorno, Jazz, Cultural Studies, MusicAbstract
This article aims at presenting the dialogue between Theodor Adorno and his critics concerning the former’s opinions on jazz. Our objectve is to comprehend the german critic’s assertions on this musical genre and understand the specificities of jazz as a north-american musical form in the beginning of the twentieth century.Downloads
Published
2012-08-01
Issue
Section
Ensaios
License
![Licença Creative Commons](https://i.creativecommons.org/l/by/4.0/88x31.png)
Revista Crítica Cultural de http://www.portaldeperiodicos.unisul.br/index.php/Critica_Cultural/index está licenciado com uma Licença Creative Commons - Atribuição 4.0 Internacional.