The images of the time in Avalovara

Abstract

Both buildings of the Avalovara romance, Osman Lins, as the clock mounted by the character Julius Heckenthorn, the same book, run through a multiple temporality. The assemblies of both imply a questioning of temporality. Narrative and clock provide unique encounters of time, both the clock of the narrative and the clock with the narrative. Through the spiral, the square and the montage (which in both the novel and the watch are privileged) unfold images of the time that produce awakenings: from and to time.