Areia movediça, [sala de escuta], Fundo do ar

Abstract

Some extracts of three artworks developed by me: Areia movediça (text-work published in the Jornal de Borda n.1, 2015); Assonâncias de silêncios [sala de escuta] (sound installation, 2008-2010) and Fundo do ar [caderno-abismo] (installation, 2013-2015). In the process of these artworks are investigated relations between writing processes and situations of reading and listening (or “species of listening”, modulations between sonorous and acoustic), at intersections between word and silence (in attempts to void’s propositions), also thinking their immobilities/passages (or their immobile passages) and their opacities.