GRAND JETÉ

O CORPO COMO FORMA DE SUBJETIVAÇÃO EM CONTROVÉRSIA QUE (RE)EXISTE NA LINGUAGEM DA ARTE NA DANÇA

Abstract

In this work, our analysis gesture will go around the social imaginary and memory, through historically repeated sayings about the bodies that were/are not authorized to dance ballet. We will question discourses that regulate and naturalize only thin bodies as dancers. And, thus, the only ones to end legitimization by comforting the standards socially imposed aesthetic limitations, and continuing to link/fix these images (thin-perfect-body) as exceptionally capable to. The corpus, therefore, is composed of files from Instagram posts of a fat ballerina. Therefore, we aim to reflect on how the fat body through dance (art) is able to break with pre-established meanings and "create" spaces of resistance in the face of sayings that configure discourses of representations through art. In order to reach our intention and to discuss part of this context, the theoretical contribution of the present study is the French Discourse Analysis derived from Michel Pêcheux, which proposes the analysis of the conditions of possibilities and displacements of the open discourse to the possible of the meaning.

Keywords: Body; Subjectivation; Resistance; Art; Dance.