Approaching Teater and Naturology: the training of the actor in Stanislavski and the formation of the Naturologist

Abstract

This article reports on the approximation between Teater and Naturology. It aims to identify how the formation of the actor can contribute to the formation of the naturologist, from the concepts developed by the actor and director Constantin Stanislavski. Tis is a qualitative bibliographical review of an exploratory nature. Te survey was carried out in the databases: VHL-Psychology Brazil, LILACS and SciELO; With the time delimitation from 2000 to 2014 and selected articles available with text in the Portuguese language. Primary and secondary sources for Stanislavski’s methodology were also consulted. Te aspects discussed were with regard to the preparation of the body and expression of emotions. It was found that approximation occurs between the two formations since they approach similar concepts. Tus, it was possible to indicate how the formation of the actor could contribute to the formation of the naturologist.